Antigone
with
The Framework
Closes Saturday, April 28th!
Catch our final workshop date at 4:15 p.m. at the RITA in Kenosha
and check back for Chicago performance dates
in Fall 2012!
Originally from Sheboygan, Wisconsin, Cathlyn attended UW-Parkside in Kenosha, Wisconsin and worked in Milwaukee and Minnesota before settling in Chicago. Since arriving in Chicago, Cathlyn has had the opportunity to work with emerging and with established theatre companies in the city, and is looking forward to continuing her exploration of all Chicago has to offer!
Cathlyn is represented by Paonessa Talent Agency, LLC.
Previous Credits:
The Count of Monte Cristo (Lifeline Theatre), Hickorydickory (Chicago Dramatists), Venus: The Capture (Prologue Theatre Company's Landmark Festival), Make Me Love You (The Verge), Spores of Eden (Two Weeks), Spirits to Enforce (Youngblood Theatre Company), Happy Now? (Milwaukee Repertory Theatre), Summer Days (Milwaukee Chamber Theatre's Young Playwrights Festival), Twelfth Night (Two Weeks), Art of Murder (Red Barn), Mind Over Matt (Red Barn), You're a Good Man, Charlie Brown (Red Barn), Wise Women (Red Barn), Books (Red Barn), Snow White & The Seven Dwarfs (Prairie Fire Children's Theatre), Twelfth Night (Milwaukee Shakespeare).
The Count of Monte Cristo (Lifeline Theatre), Hickorydickory (Chicago Dramatists), Venus: The Capture (Prologue Theatre Company's Landmark Festival), Make Me Love You (The Verge), Spores of Eden (Two Weeks), Spirits to Enforce (Youngblood Theatre Company), Happy Now? (Milwaukee Repertory Theatre), Summer Days (Milwaukee Chamber Theatre's Young Playwrights Festival), Twelfth Night (Two Weeks), Art of Murder (Red Barn), Mind Over Matt (Red Barn), You're a Good Man, Charlie Brown (Red Barn), Wise Women (Red Barn), Books (Red Barn), Snow White & The Seven Dwarfs (Prairie Fire Children's Theatre), Twelfth Night (Milwaukee Shakespeare).
"For his production of Happy Now?, legendary American director Jon Jory envisioned a group of four actors charged with creating the physical world of the complex production. The four ensemble members made roughly 200 entrances and exits between them over the course of the 100-minute play. I jumped at the opportunity to ask Cathlyn to fill one of these positions. She brought a wonderful sense of lightness and joy to the process that each of the actors in the production (as well as Mr. Jory) commented on -- high praise indeed from such a veteran group of theater practitioners."
Brent Hazelton
Associate Artistic Director
Milwaukee Repertory Theatre
